"Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait)" by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini was released on 2005. The duration of Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rinaldo Alessandrini, Anne Gastinel, Accentus's "Mélancolie" album is number 8 out of 24. Based on our statistics, Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Zefiro torna | Claudio Monteverdi, Leif Aruhn-Solén, Johan Linderoth, David Gammelgård, Anders Ericson, Fredrik Malmberg | F Major | 2 | 7B | 76 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Virgo Virginum | Andreas Scholl | E Minor | 1 | 9A | 68 BPM | ||
Fac Me Plagis | Andreas Scholl | D Minor | 2 | 7A | 89 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Miserere: I. Miserere mei, Deus | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 76 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 1 | 9B | 119 BPM |