"Concerto in E Minor: I. Adagio e staccato" by Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini was released on May 18, 2004. The duration of Concerto in E Minor: I. Adagio e staccato is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Concerto in E Minor: I. Adagio e staccato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 20 in Concerti Italiani by Concerto Italiano, Rinaldo Alessandrini. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concerto in E Minor: I. Adagio e staccato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in E Minor: I. Adagio e staccato by Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Trumpet Concerto in D Major, TWV 51:D7: III. Grave | Georg Philipp Telemann, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | B♭ Minor | 0 | 3A | 66 BPM | ||
Partite sopra Fidele | Ascanio Mayone, Rinaldo Alessandrini | F♯ Minor | 2 | 11A | 141 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM | ||
Aria sopra "La Bergamasca" | Maurice Steger, Naoki Kitaya, Continuo Consort | D♭ Major | 2 | 3B | 74 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: V. Presto | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 3 | 1A | 76 BPM | ||
Concerto For 2 Mandolins In G Major, RV 532: III. Allegro | Budapest Strings, Bela Sztankovitz, Zoltan Tokos, Antonio Vivaldi | D Major | 2 | 10B | 149 BPM | ||
Cello Sonata in G Major, Op. 1, No. 6: IV. Allegro | Benedetto Marcello, Collegium Pro Musica | A♭ Major | 1 | 4B | 90 BPM | ||
Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement | Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | B Major | 2 | 1B | 113 BPM |