Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker's 'Mozart: Don Giovanni, K. 527, Act 2 Scene 11: No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore)' came out on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 2 Scene 11: No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore) is about 3 minutes long, at 3:11. Based on our data, "Mozart: Don Giovanni, K. 527, Act 2 Scene 11: No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 6 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mozart: Don Giovanni, K. 527, Act 2 Scene 11: No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 11: No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 1: Nr.5 Finale: "Trinke, Liebchen, trinke schnell" | Johann Strauss II, Giuseppe Zampieri, Hilde Gueden, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 163 BPM | ||
La traviata / Act 1: "Ebben? che diavol fate?" | Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 2 | 4B | 168 BPM | ||
Madama Butterfly / Act 1: Cio-cio-san! Cio-cio-san! | Giacomo Puccini, Marius Rintzler, Luciano Pavarotti, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 92 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Ihr in dem Weisheitstempel eingeweihten Diener (dialogue: Sarastro, Zwei Priester, Sprecher) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | D♭ Major | 2 | 3B | 92 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Du feines Täubchen, nur herein! (Monostatos, Pamina, Papageno) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | G Major | 1 | 9B | 85 BPM | ||
Don Pasquale, Act III Sesta Scena: Eccoli: attenti bene ... (Pasquale/Malatesta/Norina) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 1 | 7B | 134 BPM | ||
Turandot / Act 2: Olà, Pang! Olà, Pong! | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 58 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!? | Leoš Janáček, Dalibor Jedlicka, Eva Zigmundova, Lucia Popp, Libuse Marova, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Minor | 1 | 3A | 78 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Cosa sento!...Basilio, in traccia tosto...Giovani" | Wolfgang Amadeus Mozart, Thomas Allen, Lucia Popp, Frederica von Stade, Samuel Ramey, The London Opera Chorus, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 112 BPM | ||
La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" | Giuseppe Verdi, Thomas Hampson, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | B♭ Major | 2 | 6B | 95 BPM |