"Sheppard: Missa Cantate - 5c. Agnus Dei 3" by John Sheppard, The Tallis Scholars, Peter Phillips was released on October 6, 2023. With Sheppard: Missa Cantate - 5c. Agnus Dei 3 being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Sheppard, The Tallis Scholars, Peter Phillips's "John Sheppard: Missa Cantate" album is number 30 out of 80. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Sheppard: Missa Cantate - 5c. Agnus Dei 3 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sheppard: Missa Cantate - 5c. Agnus Dei 3 by John Sheppard, The Tallis Scholars, Peter Phillips to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sheppard: Missa Cantate - 5b. Agnus Dei 2 | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 99 BPM | ||
Crecquillon: Pater peccavi - 2. Quanti mercenarii | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 77 BPM | ||
Messa a quattro voci, SV 190: IV. Sanctus | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Sub tuum praesidium | Antoine Brumel, The Gesualdo Six, Owain Park | C Major | 0 | 8B | 102 BPM | ||
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM | ||
Lay a Garland - 1840 | Pearsall (1795-1856), Robert Pearsall, Talla Vocal Ensemble | E♭ Major | 1 | 5B | 103 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Rore: Descendi in hortum meum - 2. Revertere, revertere, Sulamitis | Cipriano de Rore, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 94 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: III. Graduale - Si ambulem | Jean Richafort, Huelgas Ensemble | A Minor | 2 | 8A | 81 BPM |