Pearsall (1795-1856), Robert Pearsall, Talla Vocal Ensemble made "Lay a Garland - 1840" available on August 14, 1998. The duration of Lay a Garland - 1840 is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Lay a Garland - 1840's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 23 in A Day in Paradise (tranquil choral works) by Talla Vocal Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. In terms of popularity, Lay a Garland - 1840 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Lay a Garland - 1840 by Pearsall (1795-1856), Robert Pearsall, Talla Vocal Ensemble is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johann von Gardner, arr: Joulun valovirrelmä (Exapostilarion) | Lumen Valo | E Major | 1 | 12B | 128 BPM | ||
Miserere a 9: No. 3, Quoniam iniquitatem - Tibi soli peccavi | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | ||
Sancte Michael | Timothy A. Helisek, Moscow Bow Tie Choir, Vladimir Podgoretsky | C Minor | 1 | 5A | 87 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
Ad missam In Die: Alleluia. Pascha nostrum | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | E Minor | 0 | 9A | 94 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
XXVII. Er sprach zu mir (Martin Luther, Nun freut euch, lieben Christen g'mein) | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Marienvesper - 1. Versus. Ave maris stella | Chiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef Bratschke | A Minor | 1 | 8A | 76 BPM | ||
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM |