"Mille regretz (Arr. Montanari for Strings)" by Josquin des Prez, Stefano Montanari, Stefano Rossi, Claudio Andriani, Francesco Galligioni, Luca Bandini was released on February 24, 2023. The duration of Mille regretz (Arr. Montanari for Strings) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Mille regretz (Arr. Montanari for Strings)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Stravaganze consonanti". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Mille regretz (Arr. Montanari for Strings) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mille regretz (Arr. Montanari for Strings) by Josquin des Prez, Stefano Montanari, Stefano Rossi, Claudio Andriani, Francesco Galligioni, Luca Bandini having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
Taverner: Leroy Kyrie | John Taverner, Peter Phillips, The Tallis Scholars | D♭ Major | 1 | 3B | 74 BPM | ||
Missa Gaudeamus: IV. Gloria in excelcis Deo | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 2 | 8A | 76 BPM | ||
Josquin: Missa Hercules Dux Ferrarie - 4a. Sanctus | Josquin des Prez, The Tallis Scholars, Peter Phillips | D Minor | 1 | 7A | 74 BPM | ||
Ockeghem: Missa pro Defunctis: I. Requiem aeternam | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | F Major | 0 | 7B | 83 BPM |