"Ockeghem: Missa pro Defunctis: I. Requiem aeternam" by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier was released on 1985. Ockeghem: Missa pro Defunctis: I. Requiem aeternam is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Ockeghem - Requiem (Missa Pro Defunctis) & Missa Mi Mi (Missa Quarti Toni)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Ockeghem: Missa pro Defunctis: I. Requiem aeternam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ockeghem: Missa pro Defunctis: I. Requiem aeternam by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quia ergo femina mortem instruxit | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 0 | 8A | 79 BPM | ||
Zwei slawische Psalmen: I. Psalm 117 | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | A♭ Minor | 2 | 1A | 81 BPM | ||
Anima dolorosa | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | C Major | 0 | 8B | 133 BPM | ||
Miserere, Op.44: 4. Domine Deus noster-Lento. Molto espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 1 | 9B | 80 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Missa "Mille Regretz": Agnus Dei I (Morales) | The Hilliard Ensemble | A Minor | 2 | 8A | 72 BPM | ||
the little match girl passion: lights were shining | David Lang, Theatre Of Voices, Paul Hillier | E♭ Major | 1 | 5B | 92 BPM | ||
Mass For Four Voices: 2. Credo | Thomas Tallis, The Hilliard Ensemble | C Major | 2 | 8B | 80 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
More Sweet Than My Refrain | Howard Skempton, Ars Nova Copenhagen, Paul Hillier | A Major | 0 | 11B | 82 BPM |