Francis Poulenc, Netherlands Chamber Choir's 'Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte' came out on October 3, 2012. The duration of Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 57 in the song's album "Sacred & Secular Music". In this album, this song's track order is #5. Based on our statistics, Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte by Francis Poulenc, Netherlands Chamber Choir having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Sfogava con le stelle un infermo d'amore, SV 78 | Claudio Monteverdi, La Main Harmonique, Frédéric Betous | D Minor | 1 | 7A | 129 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Missa Brevis, Op. 102: II. Gloria | Knut Nystedt, Deutscher Jugendkammerchor, Florian Benfer | D♭ Major | 2 | 3B | 97 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Brahms: Geistliches lied Op. 30 | St. Albans Cathedral Choir, Simon Johnson | E♭ Major | 1 | 5B | 70 BPM | ||
Vespers, Op. 37: Blessed Art Thou, O Lord | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Minor | 1 | 1A | 70 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM |