Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875' came out on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875 is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875's duration is considered a little bit shorter than the average duration of a typical track. The song is number 60 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op.102: No. 3. Presto in C, MWV U 195 - "Tarantelle" | Felix Mendelssohn, Daniel Barenboim | C Major | 2 | 8B | 163 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.2 in C minor BWV871 | Daniel Barenboim | E♭ Major | 1 | 5B | 92 BPM | ||
Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 1 | 9B | 106 BPM | ||
Scarlatti, D: Keyboard Sonata in A Major, Kk. 39 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : V. Bourrie I & II | Pablo Casals | G Major | 2 | 9B | 81 BPM | ||
4 Piano Pieces, Op. 119: 3. Intermezzo in C | Johannes Brahms, Nelson Freire | E♭ Major | 2 | 5B | 123 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Daniel Barenboim | B Minor | 1 | 10A | 109 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 94 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM |