"Svensk mässa, No. 1: Tackom och lofvom" by Elfrida Andrée, Liine Carlsson, Maria Forsstrom, Nikola Matisic, Patrik Wirefeldt, Gustavikoren, Cathedral Choir, Rose-Marie Svensson, Gothenburg Symphony Orchestra, members, Ann-Marie Rydberg had its release date on October 1, 2010. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ann-Marie Rydberg's "Musik i Domkyrkan" album is number 23 out of 24. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Svensk mässa, No. 1: Tackom och lofvom is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Svensk mässa, No. 1: Tackom och lofvom by Elfrida Andrée, Liine Carlsson, Maria Forsstrom, Nikola Matisic, Patrik Wirefeldt, Gustavikoren, Cathedral Choir, Rose-Marie Svensson, Gothenburg Symphony Orchestra, members, Ann-Marie Rydberg to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesus Cristo, Meu Senhor | Diego Adinolfi | A♭ Major | 1 | 4B | 112 BPM | ||
Sonate pour flûte et piano, Op. 64: I. Andantino con moto | Mel Bonis, Mathilde Calderini, Aurèle Marthan | F♯ Major | 0 | 2B | 66 BPM | ||
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | A♭ Major | 0 | 4B | 72 BPM | ||
Trio élégiaque No. 2 in D Minor, Op. 9: III. Allegro risoluto-Moderato | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Minor | 0 | 7A | 35 BPM | ||
Svensk mässa, No. 1: Helig | Elfrida Andrée, Liine Carlsson, Maria Forsstrom, Nikola Matisic, Patrik Wirefeldt, Gustavikoren, Cathedral Choir, Rose-Marie Svensson, Gothenburg Symphony Orchestra, members, Ann-Marie Rydberg | D Minor | 1 | 7A | 71 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 21, Das Wirtshaus | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
Short Cuts: I. Flute | John Carmichael, Susan Torke, Antony Gray | A Minor | 0 | 8A | 49 BPM | ||
Sinfonia in D Major, Wq. 183/1, H. 663: II. Largo | Carl Philipp Emanuel Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | B♭ Major | 0 | 6B | 97 BPM | ||
Three Tone Pictures, Op. 4: I. On The Water | Elfrida Andrée, Oskar Ekberg | F Major | 1 | 7B | 121 BPM |