"Sonate pour flûte et piano, Op. 64: I. Andantino con moto" by Mel Bonis, Mathilde Calderini, Aurèle Marthan was released on May 17, 2024. With this song being about 5 minutes long, at 5:00, "Sonate pour flûte et piano, Op. 64: I. Andantino con moto" by Mel Bonis, Mathilde Calderini, Aurèle Marthan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Bonis: Sonate pour flûte et piano, Op. 64: I. Andantino con moto and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sonate pour flûte et piano, Op. 64: I. Andantino con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonate pour flûte et piano, Op. 64: I. Andantino con moto by Mel Bonis, Mathilde Calderini, Aurèle Marthan is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Pieces, Series 2: No. 7, Prelude in D-Sharp Minor | Sarkis Barkhudarian, Mikael Ayrapetyan | F Minor | 2 | 4A | 128 BPM | ||
Nocturne in C-Sharp Minor, B. 49 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM | ||
Vignettes from the Park: II. Andante: Moonlight Love | Lolita Ritmanis, Dzintra Erliha, Tatjana Ostrovska, Ivars Bezprozvanovs | E♭ Major | 1 | 5B | 136 BPM | ||
Humoresques De Concert. Op. 14: No. 6, Cracovienne Fantastique - Duo-Art | Ignacy Jan Paderewski, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Poème de l'inutile | Christian Schittenhelm, Peter Jablonski | G Major | 2 | 9B | 77 BPM | ||
Piano Trio in A Major, Posth.: II. Vivace | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
Pièces froides, Danses de travers: No. 2, Passer | Erik Satie, Alessandro Simonetto | F Major | 0 | 7B | 67 BPM | ||
Quintet in E-Flat Major, K. 452: II. Larghetto | Wolfgang Amadeus Mozart, Aurèle Marthan, Rafael Angster, Guillaume Begni, Philibert Perrine, Amaury Viduvier | B♭ Major | 0 | 6B | 63 BPM |