"Svensk mässa, No. 1: Helig" by Elfrida Andrée, Liine Carlsson, Maria Forsstrom, Nikola Matisic, Patrik Wirefeldt, Gustavikoren, Cathedral Choir, Rose-Marie Svensson, Gothenburg Symphony Orchestra, members, Ann-Marie Rydberg had its release date on October 1, 2010. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Svensk mässa, No. 1: Helig's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ann-Marie Rydberg's "Musik i Domkyrkan" album is number 21 out of 24. On top of that, Sweden appears to be the country where this track was created. Svensk mässa, No. 1: Helig is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Svensk mässa, No. 1: Helig by Elfrida Andrée, Liine Carlsson, Maria Forsstrom, Nikola Matisic, Patrik Wirefeldt, Gustavikoren, Cathedral Choir, Rose-Marie Svensson, Gothenburg Symphony Orchestra, members, Ann-Marie Rydberg to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notebook for Anna Magdalena Bach (1725): No. 25, Bist du bei mir, BWV 508 [Arr. for Orchestra by John Rutter] | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
Timbres oubliés (Arr. for Clarinet and Harp by Graeme Steele Johnson and Bridget Kibbey) | Charles Martin Loeffler, Graeme Steele Johnson, Bridget Kibbey | D♭ Major | 0 | 3B | 68 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Cello & Piano by Anonymous): II. Adagio | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Sonate No. 1 pour violoncelle et piano, Op. 109: II. Andante | Gabriel Fauré, Marc Coppey, François Dumont | D Major | 1 | 10B | 84 BPM | ||
Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM | ||
Rêve (Version for String Quintet) | Alfredo D'Ambrosio, Archos Quartet, Mio Tamayama | E♭ Major | 1 | 5B | 72 BPM | ||
Tannhauser: "Song of the Evening Star" | Kenneth Kuo, Chia Yuan Liang | D Major | 2 | 10B | 88 BPM | ||
Svensk mässa, No. 1: Helig | Elfrida Andrée, Liine Carlsson, Maria Forsstrom, Nikola Matisic, Patrik Wirefeldt, Gustavikoren, Cathedral Choir, Rose-Marie Svensson, Gothenburg Symphony Orchestra, members, Ann-Marie Rydberg | D Minor | 1 | 7A | 71 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: II. Plainte | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 0 | 3B | 175 BPM | ||
Chanson de Ronsard, H. 54 (Arr. for Flute & Piano) | Arthur Honegger, Junko Teramoto, Kozue Takagi | F Major | 0 | 7B | 71 BPM |