Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique's 'Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga)' came out on October 11, 2010. With this song being about 5 minutes long, at 5:26, "Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga)" by Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 27 in Bizet: Les Pecheurs de perles by Georges Bizet, Pierre Dervaux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) by Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les pêcheurs de perles / Act 1: No.3 c) Scène et Choeur: "Seule au milieu de nous" | Georges Bizet, Pierrette Alarie, Leopold Simoneau, René Bianco, Xavier Depraz, Choeurs Elisabeth Brasseur, Orchestre Lamoureux, Jean Fournet | F♯ Minor | 0 | 11A | 157 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Cleofide: Generoso risuegliati o core (Air de Poro) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | A♭ Major | 3 | 4B | 152 BPM | ||
Lakmé, Act 1: Dôme épais le jasmin "Flower Duet" | Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra, Janice Watson, Ruby Philogene, The King's Division Normandy Band | B Major | 2 | 1B | 77 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt | Richard Wagner, Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch | C Major | 1 | 8B | 76 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Carmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM | ||
Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM |