"Aquarium aus Karneval der Tiere (Aquarium from Carnival of the Animals)" by Camille Saint-Saëns, Ross Pople was released on March 29, 2019. The duration of Aquarium aus Karneval der Tiere (Aquarium from Carnival of the Animals) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Aquarium aus Karneval der Tiere (Aquarium from Carnival of the Animals)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Aquarium aus Karneval der Tiere (Aquarium from Carnival of the Animals) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Aquarium aus Karneval der Tiere (Aquarium from Carnival of the Animals) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aquarium aus Karneval der Tiere (Aquarium from Carnival of the Animals) by Camille Saint-Saëns, Ross Pople is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven - Turkish March from Die Ruinen von Athen | Anton Rubinstein, Zora Mihailovich | F Major | 2 | 7B | 80 BPM | ||
Der Schwan: für Cello und Klavier aus dem Karneval der Tiere | Gregor Lentjes (Horn), Katie Zahn (Flöte), David Stromberg (Violoncello), Sebastian Borsch (Klarinette), Emi Matzumura (Oboe), Lothar Palmer (Fagott), Barbara Bultmann (Violine), Irina Kolesnikova (Klavier) | F Major | 3 | 7B | 88 BPM | ||
Der Hummelflug (The Flight of the Bumble Bee) | Nikolai Rimsky-Korsakov, Irina Ossipova | D Minor | 3 | 7A | 88 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Le Carnaval des Animaux (The Carnival of the Animals), R. 125, V. L'Éléphant (The Elephant): II. Allegretto pomposo | Camille Saint-Saëns, Yuli Turovsky, I Musici de Montréal, David Owen Norris, Gregory Shaverdian, Marc-André Coallier | E♭ Major | 0 | 5B | 114 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM |