On March 26, 2010, the song "Der Schwan: für Cello und Klavier aus dem Karneval der Tiere" was released by Gregor Lentjes (Horn), Katie Zahn (Flöte), David Stromberg (Violoncello), Sebastian Borsch (Klarinette), Emi Matzumura (Oboe), Lothar Palmer (Fagott), Barbara Bultmann (Violine), Irina Kolesnikova (Klavier). The duration of Der Schwan: für Cello und Klavier aus dem Karneval der Tiere is about 3 minutes long, at 3:06. Based on our data, "Der Schwan: für Cello und Klavier aus dem Karneval der Tiere" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 22 in Ein Cello erzählt aus seinem Leben (NCA, Hörbuch für Kinder mit Musik) by David Stromberg & Gunter Scho. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Der Schwan: für Cello und Klavier aus dem Karneval der Tiere is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Der Schwan: für Cello und Klavier aus dem Karneval der Tiere by Gregor Lentjes (Horn), Katie Zahn (Flöte), David Stromberg (Violoncello), Sebastian Borsch (Klarinette), Emi Matzumura (Oboe), Lothar Palmer (Fagott), Barbara Bultmann (Violine), Irina Kolesnikova (Klavier) is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: I. MOLTO ALLEGRO | Jeffrey Tate | G Minor | 2 | 6A | 105 BPM | ||
String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | ||
Studie Nr. 3 | Katie Zahn (Flöte), Lothar Palmer (Fagott), Barbara Bultmann (Violine), Sebastian Borsch (Klarinette), Emi Matzumura (Oboe), David Stromberg (Violoncello), Gregor Lentjes (Horn), Irina Kolesnikova (Klavier) | C Major | 4 | 8B | 67 BPM | ||
Concerto No. 1, "Infinite Games": I. Halleluja - After Alleluia, Cantata "Es Ist Uns Ein Kind Geboren", BWV 142 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | G Major | 6 | 9B | 110 BPM | ||
Turkish March, Concert Paraphrase (After Rondo alla Turca from Piano Sonata in A Major, K. 331 by Mozart) | Olga Scheps | A Major | 4 | 11B | 124 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | C Major | 0 | 8B | 171 BPM | ||
Charlotte's Daydream | Pieter de Graaf | F Minor | 1 | 4A | 133 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM | ||
Morgenstimmung - Peer Gynt Suite (Morning Mood - Peer Gynt Suite) | Edvard Grieg, Arthur Grüber | E Major | 1 | 12B | 80 BPM |