Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester's 'Concerto No. 1, "Infinite Games": I. Halleluja - After Alleluia, Cantata "Es Ist Uns Ein Kind Geboren", BWV 142' came out on September 16, 2016. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ÜberBach, so we believe that "Concerto No. 1, "Infinite Games": I. Halleluja - After Alleluia, Cantata "Es Ist Uns Ein Kind Geboren", BWV 142" is a single. In terms of popularity, Concerto No. 1, "Infinite Games": I. Halleluja - After Alleluia, Cantata "Es Ist Uns Ein Kind Geboren", BWV 142 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto No. 1, "Infinite Games": I. Halleluja - After Alleluia, Cantata "Es Ist Uns Ein Kind Geboren", BWV 142 by Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dancing Folk: II. Second Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | D Major | 2 | 10B | 120 BPM | ||
Piano Concerto No.5 in E flat major Op.73 -"Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | B Major | 0 | 1B | 89 BPM | ||
Spiegel im Spiegel - For Clarinet And Piano: 1. Spiegel im Spiegel | Arvo Pärt, Alexei Lubimov, Kirill Rybakov | F Major | 0 | 7B | 68 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse | Antonín Dvořák, Orpheus Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
Satie: 6 Gnossiennes: No. 3, Lent | Erik Satie, Aldo Ciccolini | A Minor | 0 | 8A | 79 BPM | ||
Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo | Carl Maria von Weber, Andreas Ottensamer, Berliner Philharmoniker, Mariss Jansons | C Major | 0 | 8B | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Javier Perianes, Orchestre de Paris, Josep Pons | E Major | 0 | 12B | 129 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM |