"Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse" by Antonín Dvořák, Orpheus Chamber Orchestra was released on January 1, 1985. Since Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Dvorak: Serenades opp. 22&44 by Antonín Dvořák, Orpheus Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse by Antonín Dvořák, Orpheus Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
Nocturnes, Op. 9: No. 2 in E Flat Major. Andante | Frédéric Chopin, Jan Lisiecki | B♭ Major | 0 | 6B | 99 BPM | ||
Swan Lake, Op. 20, Act I No. 10: Scene: Moderato | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali | E Minor | 2 | 9A | 82 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Le Matin | Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 67 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Piano Concerto No.2 in F, Op.102: 2. Andante | Dmitri Shostakovich, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | C Minor | 0 | 5A | 72 BPM | ||
Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Christoph Eschenbach, Justus Frantz, Gerhard Oppitz, Helmut Schmidt, Hamburger Philharmoniker | C Major | 3 | 8B | 103 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Sonata No. 5 in C Major: 1. Andante | Baldassare Galuppi, Arturo Benedetti Michelangeli | C Major | 0 | 8B | 176 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Alfred Brendel | G Major | 0 | 9B | 75 BPM |