Johann Sebastian Bach, Christoph Eschenbach, Justus Frantz, Gerhard Oppitz, Helmut Schmidt, Hamburger Philharmoniker made "Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro)" available on January 1, 1985. With this song being about 5 minutes long, at 4:36, "Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro)" by Johann Sebastian Bach, Christoph Eschenbach, Justus Frantz, Gerhard Oppitz, Helmut Schmidt, Hamburger Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 12 in Bach, J.S.: Piano Concertos BWV 1060, 1061, 1063 & 1065 by Johann Sebastian Bach, Christoph Eschenbach, Justus Frantz, Gerhard Oppitz, Helmut Schmidt, Hamburger Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro) by Johann Sebastian Bach, Christoph Eschenbach, Justus Frantz, Gerhard Oppitz, Helmut Schmidt, Hamburger Philharmoniker is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio for Strings and Organ in G minor | Remo Giazotto, Maria Teresa Garatti, I Musici | C Minor | 1 | 5A | 111 BPM | ||
Oboe d'amore Concerto in A Major, BWV 1055R: I. Allegro | Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | A Major | 3 | 11B | 99 BPM | ||
Symphony No. 5 in D Minor, Op. 107, "Reformation": II. Allegro vivace | Felix Mendelssohn, Kammerakademie Potsdam, Antonello Manacorda | F Major | 1 | 7B | 60 BPM | ||
Concerti a cinque Op. 9 for oboe and strings (2001 Digital Remaster), Concerto No. 2 in D minor: II. Adagio | Tomaso Albinoni, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | A Major | 0 | 11B | 89 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Suite en Sol: Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 97 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Symphony No. 8 in C Minor: III. Presto assai | William Herschel, Matthias Bamert, London Mozart Players | F Minor | 1 | 4A | 151 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Allegro | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM |