Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl made "Oboe d'amore Concerto in A Major, BWV 1055R: I. Allegro" available on June 24, 1997. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Oboe Concertos" album is number 1 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Oboe d'amore Concerto in A Major, BWV 1055R: I. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Oboe d'amore Concerto in A Major, BWV 1055R: I. Allegro by Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Concerto in C Minor for Recorder & Strings, RV 441: 1. Allegro non molto | Antonio Vivaldi, Lucie Horsch, Amsterdam Vivaldi Players | F♯ Minor | 0 | 11A | 69 BPM | ||
Haydn: Piano Concerto in F Major, Hob. XVIII:3: II. Largo | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | A Minor | 0 | 8A | 137 BPM | ||
Sonata in D Minor, Kk.9 | Domenico Scarlatti, Alexandre Tharaud | D Minor | 0 | 7A | 90 BPM | ||
Brandenburg Concerto No. 2 in F, BWV 1047: 1. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy/2007 | Johann Sebastian Bach, Reinhold Friedrich, Michala Petri, Lucas Macias Navarro, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | E Minor | 1 | 9A | 81 BPM | ||
Handel: Berenice, HWV 38, Overture: II. Andante (Larghetto) | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 77 BPM | ||
Ich steh mit einem Fuss im Grabe, BWV 156: Sinfonia | Johann Sebastian Bach, Il Gardellino | E Major | 1 | 12B | 72 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM |