Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra made "Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": V. Allegro" available on July 15, 2014. With Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": V. Allegro being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 13 in Corelli: Christmas Concerto / Tartini: Cello Concerto in D Major / Vivaldi: Sinfonia for Strings by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Based on our statistics, Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": V. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": V. Allegro by Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manfredini: Concerto in C Major, Op. 3 No. 12 "Pastorale per il santissimo Natale": I. Largo | Francesco Onofrio Manfredini, Claudio Scimone, I Solisti Veneti | D Minor | 2 | 7A | 102 BPM | ||
The Nutcracker Op.71a VII. Dance Of The Reed Pipes | Symphony Of The Air | D Major | 2 | 10B | 143 BPM | ||
The Nutcracker Suite, Op. 71a: I. Miniature Overture | Radio Bratislava Symphony Orchestra | B♭ Major | 0 | 6B | 103 BPM | ||
Waltz Of The Snowflakes | San Francisco Ballet | E Minor | 2 | 9A | 95 BPM | ||
L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae | E Major | 0 | 12B | 86 BPM | ||
The Nutcracker Op. 71: Divertissement: Coffee (Arabian Dance) | Zsuzsa Bálint | G Minor | 0 | 6A | 128 BPM | ||
Toccata | Giovanni Battista Martini, Håkan Hardenberger, Simon Preston | D Major | 3 | 10B | 108 BPM | ||
A Ceremony of Carols, Op. 28: III. There Is No Rose | Benjamin Britten, The Choir Of Trinity College, Cambridge | B♭ Major | 0 | 6B | 97 BPM | ||
Vom Himmel hoch, da komm ich her (Chorus) | Felix Mendelssohn, Egbert Junghanns, Ute Selbig, Dresden Kreuzchor, Dresdner Philharmonie, Martin Flämig | G Major | 2 | 9B | 92 BPM | ||
La naissance d'Osiris: Premier et deuxieme tambourin | Jean-Philippe Rameau, Capella Savaria, Mary Terey-Smith | D♭ Major | 2 | 3B | 127 BPM |