Jean-Philippe Rameau, Capella Savaria, Mary Terey-Smith's ' "La naissance d'Osiris: Premier et deuxieme tambourin" was released on its scheduled release date, December 13, 1996. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. La naissance d'Osiris: Premier et deuxieme tambourin's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Rameau: La naissance d'Osiris & Abaris ou les Boréades". In this album, this song's track order is #6. Based on our statistics, La naissance d'Osiris: Premier et deuxieme tambourin's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La naissance d'Osiris: Premier et deuxieme tambourin by Jean-Philippe Rameau, Capella Savaria, Mary Terey-Smith having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harp Sonata in C Minor: II. Moderato | Giovanni Battista Pescetti, Andrea Vigh | C Minor | 0 | 5A | 137 BPM | ||
We Three Kings of Orient Are (arr. J. Rutter): Three kings of Orient | John Henry Hopkins Jr., The Cambridge Singers, Cambridge Orchestra, John Rutter | G Major | 1 | 9B | 81 BPM | ||
Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : II. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | G Minor | 3 | 6A | 173 BPM | ||
Three German Dances, K.605: No.3 in C, Trio "Die Schlittenfahrt" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 2 | 8B | 147 BPM | ||
The silver swanne: The silver swan | Orlando Gibbons, The Cambridge Singers, John Rutter | F♯ Major | 0 | 2B | 98 BPM | ||
Vesperae solennes de confessore, K.339: V. Laudate Dominum (Arr. for Violin and Orchestra) | Wolfgang Amadeus Mozart, Joshua Bell, Michael Stern, Orchestra of St. Luke's | B♭ Major | 1 | 6B | 95 BPM | ||
Les Boréades - Entrée | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 2 | 3B | 142 BPM | ||
Bethlehem Down | Peter Warlock, Benjamin Grosvenor | C Major | 0 | 8B | 93 BPM | ||
Concerto grosso in G minor, Op.6, No.8 "fatto per la notte di Natale": 3. Adagio - Allegro - Adagio | Arcangelo Corelli, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 121 BPM | ||
Ave Maria | Giulio Caccini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | E Minor | 1 | 9A | 170 BPM |