"L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell)" by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae had its release date on August 6, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 18 in Berlioz: L'enfance du Christ by Hector Berlioz, London Symphony Orchestra, Matthew Rose, Sir Colin Davis, Tenebrae. L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace - Grave | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | G Minor | 0 | 6A | 86 BPM | ||
Rejoice in the Lamb, Op. 30: No. 1c, Hallelujah | Benjamin Britten, David Dunnett, Norwich Cathedral Choir, Ashley Grote | F Major | 0 | 7B | 0 BPM | ||
Rejoice, rejoice, with heart and voice | William Byrd, The Choir Of Trinity College, Cambridge | C Major | 1 | 8B | 172 BPM | ||
Oratorio de Noël, Op. 12: No. 10 Tollite hostias | Camille Saint-Saëns, Antonia Bourvé, Marcus Ullmann, Romano Giefer, Jens Hamann, Vocalensemble Rastatt, Les Favorites, Holger Speck | D Major | 2 | 10B | 100 BPM | ||
Messiah / Part 2: "Why do the nations...Let us break asunder" | George Frideric Handel, Gwynne Howell, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 3 | 9B | 117 BPM | ||
Requiem in D Minor, Op. 48: 4. Pie Jesu | Gabriel Fauré, Sylvia McNair, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | B♭ Major | 0 | 6B | 76 BPM | ||
Missa Brevis No. 7 In B Major St. Joannis De Deo - Sanctus | Joseph Haydn, Vienna Chamber Orchestra, Vienna State Opera Orchestra, Hans Gillesberger | D Major | 3 | 10B | 97 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12b, Divertissement. Coffee, Arabian Dance | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 0 | 6A | 86 BPM | ||
Ave verum corpus, K. 618 - Live | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | D Major | 0 | 10B | 86 BPM | ||
Quatre Motets sur des thèmes grégoriens, Op. 10: I. Ubi caritas | Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Major | 0 | 5B | 130 BPM |