George Frideric Handel, Gwynne Howell, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner's ' "Messiah / Part 2: "Why do the nations...Let us break asunder"" was released on its scheduled release date, January 1, 1976. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields's "Handel: Messiah" album is number 13 out of 37. In terms of popularity, Messiah / Part 2: "Why do the nations...Let us break asunder" is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Messiah / Part 2: "Why do the nations...Let us break asunder" by George Frideric Handel, Gwynne Howell, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rejoice, rejoice, with heart and voice | William Byrd, The Choir Of Trinity College, Cambridge | C Major | 1 | 8B | 129 BPM | ||
Zaïs: Overture - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 3 | 3B | 127 BPM | ||
Messiah, HWV 56 / Pt. 1: There Were Shepherds Abiding In The Field | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott | B♭ Major | 1 | 6B | 144 BPM | ||
Mass In B Minor, BWV 232 / Kyrie: Christe eleison | Johann Sebastian Bach, Lynne Dawson, Carol Hall, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 71 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 13, Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 47 BPM | ||
Fasch: Trumpet Concerto in D Major, FWV L:D1: I. Allegro | Johann Friedrich Fasch, Alison Balsom, Pavlo Beznosiuk, Academy of Ancient Music | A♭ Major | 3 | 4B | 103 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": VI. Pastorale ad libitum: Largo | Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra | D Major | 0 | 10B | 136 BPM | ||
Concerto In C, Op.3, No.12 -"Christmas Concerto": 2. Largo | Francesco Onofrio Manfredini, Thomas Brandis, Emil Maas, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 110 BPM | ||
Magnificat: Et misericordia | Giovanni Battista Pergolesi, Elizabeth Vaughan, Dame Janet Baker, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | G Minor | 1 | 6A | 116 BPM | ||
A Ceremony Of Carols, Op. 28: There Is No Rose | Benjamin Britten, Sioned Williams, Harry Christophers | B♭ Major | 0 | 6B | 129 BPM |