"Oratorio de Noël, Op. 12: No. 10 Tollite hostias" by Camille Saint-Saëns, Antonia Bourvé, Marcus Ullmann, Romano Giefer, Jens Hamann, Vocalensemble Rastatt, Les Favorites, Holger Speck had its release date on September 1, 2006. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Oratorio de Noël, Op. 12: No. 10 Tollite hostias's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Saint-Saëns: Oratorio de Noël". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Oratorio de Noël, Op. 12: No. 10 Tollite hostias is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oratorio de Noël, Op. 12: No. 10 Tollite hostias by Camille Saint-Saëns, Antonia Bourvé, Marcus Ullmann, Romano Giefer, Jens Hamann, Vocalensemble Rastatt, Les Favorites, Holger Speck having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Our Father (Otche nash) | Nikolay Kedrov, Estonian Philharmonic Chamber Choir, Paul Hillier | E Major | 2 | 12B | 169 BPM | ||
Es ist ein Ros entsprugen | Michael Praetorius, Chœur De Chambre De Namur, Ricercar Consort, Denis Menier | F Major | 0 | 7B | 74 BPM | ||
A Maiden Most Gentle (Live) | Andrew Carter, Choir of King's College, Cambridge, Donal McCann, Daniel Hyde | G Major | 1 | 9B | 104 BPM | ||
O Magnum Mysterium | Tomás Luis de Victoria, New York Polyphony | F Minor | 1 | 4A | 79 BPM | ||
O magnum mysterium | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D Major | 0 | 10B | 105 BPM | ||
Gloriana, Op. 53: Choral Dances: No. 5. Rustics and Fishermen | Benjamin Britten, The Cambridge Singers, John Rutter | G Major | 2 | 9B | 80 BPM | ||
Adeste fideles (Arr. for Choir & Orchestra by Alice Parker) - Remastered 2023 | John Francis Wade, Atlanta Symphony Orchestra, Robert Shaw | B♭ Major | 0 | 6B | 60 BPM | ||
Coventry Carol | The King's Singers | B♭ Minor | 0 | 3A | 85 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring | Johann Sebastian Bach, Choir of King's College, Cambridge, Nicholas Daniel, James Vivian, Robert Quinney, Stephen Cleobury | G Major | 0 | 9B | 67 BPM | ||
Oratorio de Noël, Op. 12: No. 1 Prelude In the Style of Bach | Camille Saint-Saëns, Antonia Bourvé, Marcus Ullmann, Jens Hamann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | A Minor | 0 | 8A | 172 BPM |