"Saint-Saëns / Arr. Hazell: Le carnaval des animaux: XIII. Le cygne" by Camille Saint-Saëns, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra, Aline Brewer was released on October 1, 2000. The duration of Saint-Saëns / Arr. Hazell: Le carnaval des animaux: XIII. Le cygne is about 3 minutes long, at 3:18. Based on our data, "Saint-Saëns / Arr. Hazell: Le carnaval des animaux: XIII. Le cygne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "The Swan". In this album, this song's track order is #6. Saint-Saëns / Arr. Hazell: Le carnaval des animaux: XIII. Le cygne is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint-Saëns / Arr. Hazell: Le carnaval des animaux: XIII. Le cygne by Camille Saint-Saëns, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra, Aline Brewer having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Tasmin Little, John Lenehan | E Major | 1 | 12B | 89 BPM | ||
Hungarian Dance No.1 in G Minor, WoO 1 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | G Minor | 2 | 6A | 115 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Salut d' amour | Edward Elgar, Royal Liverpool Philharmonic Overture, John Wilson, Royal Liverpool Philharmonic Orchestra | E Major | 1 | 12B | 130 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Piano Concerto in E Major, Op. 59: II. Andante | Moritz Moszkowski, Michael Ponti, Philharmonia Hungarica, Hans Richard Stracke | D♭ Minor | 0 | 12A | 80 BPM | ||
La prière d’une vierge, Op. 4 | Tekla Bądarzewska-Baranowska, Magdalena Lisak | E♭ Major | 1 | 5B | 72 BPM | ||
Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |