"Piano Concerto in E Major, Op. 59: II. Andante" by Moritz Moszkowski, Michael Ponti, Philharmonia Hungarica, Hans Richard Stracke was released on January 1, 1992. Since Piano Concerto in E Major, Op. 59: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Romantic Piano Concerto, Vol. 3". In this album, this song's track order is #2. Piano Concerto in E Major, Op. 59: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto in E Major, Op. 59: II. Andante by Moritz Moszkowski, Michael Ponti, Philharmonia Hungarica, Hans Richard Stracke having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antar (After N. Rimsky-Korsakov): No. 7. Ravel: Allegretto | Maurice Ravel, Andre Dussollier, Orchestre National De Lyon, Leonard Slatkin | F Major | 0 | 7B | 138 BPM | ||
Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
String Quartet No. 4 in C Minor, Op. 18 No. 4: 1. Allegro ma non tanto | Ludwig van Beethoven, Emerson String Quartet | C Minor | 1 | 5A | 153 BPM | ||
Swan Lake - Waltz | London Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Overture "Coriolan", Op. 62 | Ludwig van Beethoven, Orchestre Lamoureux, Igor Markevitch | C Major | 4 | 8B | 128 BPM | ||
Piano Concerto in E, Op. 59: II. Andante | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | D♭ Minor | 0 | 12A | 87 BPM | ||
Miroirs: V. La vallée des cloches | Maurice Ravel, André Laplante | D♭ Major | 0 | 3B | 69 BPM |