"Lohengrin, WWV 75: Prelude To Act I" by Richard Wagner, Berliner Philharmoniker, Rafael Kubelík was released on January 1, 1963. Since Lohengrin, WWV 75: Prelude To Act I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Orchestral Music; Lohengrin; Tristan und Isolde; Die Meistersinger von Nürnberg by Richard Wagner, Berliner Philharmoniker, Rafael Kubelík. The song's track number on the album is #2 out of 5 tracks. Based on our data, Germany was the country where this track was produced or recorded. Lohengrin, WWV 75: Prelude To Act I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, WWV 75: Prelude To Act I by Richard Wagner, Berliner Philharmoniker, Rafael Kubelík has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, WWV 75: Prelude To Act I being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | C Minor | 4 | 5A | 147 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
Violin Concerto "Violin Concerto No. 2" in E Minor, Op. 64, IFM 196: II. Andante | Felix Mendelssohn, New York Philharmonic, Jascha Heifetz, Guido Cantelli | C Major | 2 | 8B | 103 BPM | ||
Paulus: I. Teil: Ouvertüre | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Major | 2 | 9B | 116 BPM | ||
Serenata notturna in D Major, K. 239: I. Marcia (Maestoso) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
La Damnation de Faust, Op.24: Hungarian March | Hector Berlioz, Herbert von Karajan, Berliner Philharmoniker | A Major | 3 | 11B | 106 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Wiener Philharmoniker, Rudolf Kempe | A Major | 0 | 11B | 68 BPM |