"Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft" by Anton Webern, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. The duration of Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #5 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft by Anton Webern, Barbara Hannigan, Reinbert de Leeuw has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft being at 75 テンポ, the half-time would be 38 テンポ with a double-time of 150 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | E♭ Major | 1 | 5B | 112 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Études, Book 1: No. 4, Fanfares | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 2 | 3B | 119 BPM | ||
String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Enso String Quartet | G Major | 3 | 9B | 157 BPM | ||
Piano Trio: I. Pale Yellow | Jennifer Higdon, Anne Akiko Meyers, Alisa Weilerstein, Adam Neiman | A Major | 0 | 11B | 128 BPM | ||
Lento in due movimenti: I. Adagio | Toru Takemitsu, Kotaro Fukuma | F Minor | 0 | 4A | 137 BPM | ||
Three Little Pieces for Cello and Piano, op.11 (1914) | Anton Webern, Siegfried Palm, Aloys Kontarsky | C Major | 0 | 8B | 79 BPM | ||
Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM |