"Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft" by Anton Webern, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. The duration of Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #5 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft by Anton Webern, Barbara Hannigan, Reinbert de Leeuw has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Fünf Lieder nach Gedichten von Richard Dehmel: I. Ideale Landschaft being at 75 テンポ, the half-time would be 38 テンポ with a double-time of 150 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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St. Luke Passion: Part II: Alla breve | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | D♭ Major | 0 | 3B | 128 BPM | ||
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
Improvisation No. 7 in C Major: Modere sans lenteur | Francis Poulenc, Olivier Cazal | F Major | 1 | 7B | 83 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Juilliard String Quartet | C Minor | 2 | 5A | 108 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Quartet, Op. 22: II. Sehr schwungvoll | Anton Webern, Jennifer Frautschi, Christopher Oldfather, Daniel Goble, Michael Lowenstern | A♭ Minor | 0 | 1A | 80 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": II. Con moto | Leoš Janáček, Melos Quartet | F♯ Major | 1 | 2B | 125 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Concerto grosso no.1 (1976-77): 2. Toccata: Allegro | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 5 | 10B | 134 BPM | ||
Nocturnes, L.91: I. Nuages | Claude Debussy, Cleveland Orchestra, Pierre Boulez | C Major | 0 | 8B | 90 BPM |