"Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace)" by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra had its release date on March 1, 1993. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra's "Lutoslawsky : Concerto for Orchestra & Symphony No.3" album is number 2 out of 13. Based on our statistics, Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 158 テンポ, a half-time of 79テンポ, and a double-time of 316 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 1 In F Minor, Op. 2, No. 1: 3. Menuetto (Allegretto) | Ludwig van Beethoven, Daniel Barenboim | F Minor | 0 | 4A | 169 BPM | ||
Britten: An American Overture, Op. 27 | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 80 BPM | ||
Two Pieces for String Quartet, Op. 36a: 2. Polka | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefahrtin (The Hero's Companion) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | B♭ Major | 0 | 6B | 136 BPM | ||
Symphony No. 7 in C Major, Op. 60 "Leningrad": II. Moderato (poco allegretto) - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | E♭ Major | 1 | 5B | 128 BPM | ||
Concerto for Viola and Orchestra: II. Vivo e molto preciso | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 2 | 8A | 144 BPM | ||
Clarinet Sonata: I. Grazioso | Leonard Bernstein, Andy Miles, Wayne Marshall | D Major | 1 | 10B | 134 BPM |