Béla Bartók, Belcea Quartet's 'Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato' came out on January 21, 2008. With this song being about 5 minutes long, at 4:40, "Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato" by Béla Bartók, Belcea Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 23 in Bartók: String Quartets Nos. 1 - 6 by Béla Bartók, Belcea Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato by Béla Bartók, Belcea Quartet is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
6 Sonatas for Violin Solo, Op. 27: Sonata No. 3 in D Minor "Ballade" | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 108 BPM | ||
Violin Concerto, Op. 30: IIIa. Scherzo pianissimo. Sempre volante, misterioso e appena sensibile | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: I. Moderato | Sergei Prokofiev, Gidon Kremer, Martha Argerich | F♯ Major | 1 | 2B | 89 BPM | ||
Andante in A Major, BB 26b | Béla Bartók, James Ehnes, Andrew Armstrong | E Minor | 1 | 9A | 60 BPM | ||
Préludes - Book 2, L.123: 11. Les tierces alternées | Claude Debussy, Pierre-Laurent Aimard | E♭ Major | 1 | 5B | 126 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto | Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker | D Major | 0 | 10B | 128 BPM | ||
Musica ricercata: No. 8, Vivace - Energico | György Ligeti, Pierre-Laurent Aimard | A Major | 3 | 11B | 100 BPM | ||
Debussy: Cello Sonata in D Minor, L. 135: II. Sérénade | Claude Debussy, Bertrand Chamayou | G Major | 0 | 9B | 130 BPM |