"Torna a Surriento (Come Back to Sorrento) (arr. for trombone)" by Ernesto de Curtis, Robert Elkjer, Joseph Alessi, Alessi Street Band was released on March 27, 2007. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Return To Sorrento - Italian Songs Arranged for Trombone". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Torna a Surriento (Come Back to Sorrento) (arr. for trombone) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Torna a Surriento (Come Back to Sorrento) (arr. for trombone) by Ernesto de Curtis, Robert Elkjer, Joseph Alessi, Alessi Street Band having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Revaux & François / Arr Schifrin: A Tribute to Hollywood Part 1: My Way | Claude François, Jacques Revaux, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F Major | 2 | 7B | 134 BPM | ||
Strauss Jr., J.: Rosen aus dem Süden, Op. 388 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | F Major | 2 | 7B | 68 BPM | ||
Non Ti Scordar Di Me | Ernesto de Curtis, Sumi Jo | G Major | 2 | 9B | 84 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Laudate Dominum | Wolfgang Amadeus Mozart, Lucia Popp, Kurt Eichhorn | A Major | 1 | 11B | 132 BPM | ||
Canta Pe' Me | Jonathan Antoine | A Minor | 4 | 8A | 101 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
O paese d'o sole | Vincenzo d'Annibale, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma, Dan Thomas | G Minor | 2 | 6A | 86 BPM |