"Vocalise, Op. 34, No. 14 - Remastered" by Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra was released on 1958. Since Vocalise, Op. 34, No. 14 - Remastered is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 158 in Anna Moffo - The Complete RCA Recital Albums by Anna Moffo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Vocalise, Op. 34, No. 14 - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vocalise, Op. 34, No. 14 - Remastered by Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
"Ombra mai fu" (Serse), HWV 40 | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 135 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | ||
Ombra di nube | Licinio Refice, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 0 | 4B | 87 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Vier letzte Lieder, TrV 296: 1. Frühling | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | A Major | 3 | 11B | 83 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) | Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 1 | 7B | 165 BPM | ||
Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan | Claude Debussy, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 0 | 2B | 85 BPM |