Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana made "Concerto Grosso In C Major, Op. 6, No. 10: II. Allemanda: Allegro" available on May 22, 1991. The duration of Concerto Grosso In C Major, Op. 6, No. 10: II. Allemanda: Allegro is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Concerto Grosso In C Major, Op. 6, No. 10: II. Allemanda: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 35 in Concerto Grossos Op. 6, Nos. 7-12 by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Concerto Grosso In C Major, Op. 6, No. 10: II. Allemanda: Allegro is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Concerto Grosso In C Major, Op. 6, No. 10: II. Allemanda: Allegro by Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Concerto in F Major, S. 235: II. Andante | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 118 BPM | ||
Concerto Grosso in B-Flat Major, Op. 1, No. 3: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 0 | 7B | 94 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Suite No. 2 in B minor, BWV 1067: 3. Sarabande | Johann Sebastian Bach, Wolfgang Schulz, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 4 | 11B | 117 BPM | ||
Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: III. Adagio | George Frideric Handel, Capella Istropolitana, Jozef Kopelman | E Minor | 1 | 9A | 95 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Concerto No 4 in D major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | D♭ Major | 3 | 3B | 132 BPM | ||
Concerto in F Major, Seibel 234: 4. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM |