"Concerto Grosso in B-Flat Major, Op. 1, No. 3: III. Largo" by Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek was released on April 29, 1996. The duration of Concerto Grosso in B-Flat Major, Op. 1, No. 3: III. Largo is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Concerto Grosso in B-Flat Major, Op. 1, No. 3: III. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Locatelli's "Locatelli: Concerti Grossi, Op. 1, Nos. 1- 6" album is number 13 out of 27. In terms of popularity, Concerto Grosso in B-Flat Major, Op. 1, No. 3: III. Largo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto Grosso in B-Flat Major, Op. 1, No. 3: III. Largo by Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in F Major, W. VII:3, B. 12: II. Andante | Johann Christoph Friedrich Bach, London Baroque | D♭ Major | 2 | 3B | 114 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Concerto Grosso in E Minor, Op. 1, No. 4: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 0 | 7B | 77 BPM | ||
Sonata in E Minor: II. Largo | Johann Rosenmüller, London Baroque | E♭ Minor | 2 | 2A | 78 BPM | ||
Trumpet Concerto in D Major, G. 28: V. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 2 | 3B | 114 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: IV. Allegro, ma non troppo | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D Minor | 2 | 7A | 134 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 1 | 6A | 61 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Sinfonia in C major: II. Adagio | Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante | F♯ Major | 0 | 2B | 36 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM |