Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo

Antonio Caldara, Claudio Ferrarini, Accademia Farnese
Antonio Caldara: 12 Sinfonie a quattro su Azione sacra
1:02 2022年4月15日
テンポ
96
キー
A Minor
キャメロットミュージックキー
8A

リンクを埋め込む

共有

Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo - Antonio Caldara, Claudio Ferrarini, Accademia Farnese 情報

音響性
100%
ダンサビリティ
30%
エネルギー
10%
手段性
93%
活気
10%
ラウドネス
69%
話し言葉
5%
価数
23%
人気
ラウドネス
-18.771 dB

まとめ

Antonio Caldara, Claudio Ferrarini, Accademia Farnese's 'Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo' came out on April 15, 2022. With Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 51 in Antonio Caldara: 12 Sinfonie a quattro su Azione sacra by Antonio Caldara, Claudio Ferrarini, Accademia Farnese. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo テンポ

The tempo marking of Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo by Antonio Caldara, Claudio Ferrarini, Accademia Farnese is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo キー

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - Corrente by Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly BotvaySinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - CorrenteAlessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly BotvayD Major010B79 BPM
Sonate e Partite: No. 27, Allegro by Francesco Lecce, Claudio FerrariniSonate e Partite: No. 27, AllegroFrancesco Lecce, Claudio FerrariniC Major28B67 BPM
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro by Charles Avison, The Avison Ensemble, Pavlo BeznosiukConcerto Grosso No. 5 in D Minor (after D. Scarlatti): II. AllegroCharles Avison, The Avison Ensemble, Pavlo BeznosiukD♭ Minor212A132 BPM
Sonata No. 9 in G Major: IV. Presto by Giuseppe Sammartini, Claudio Ferrarini, Accademia FarneseSonata No. 9 in G Major: IV. PrestoGiuseppe Sammartini, Claudio Ferrarini, Accademia FarneseG Major49B82 BPM
Concerto in E Minor for strings and basso continuo, RV 134: Concerto in E Minor for strings and basso continuo, RV 134: II. Andante by Antonio Vivaldi, Xenia Löffler, Akademie für Alte Musik Berlin, Georg KallweitConcerto in E Minor for strings and basso continuo, RV 134: Concerto in E Minor for strings and basso continuo, RV 134: II. AndanteAntonio Vivaldi, Xenia Löffler, Akademie für Alte Musik Berlin, Georg KallweitE♭ Minor02A92 BPM
Mensa sonora / PARS I (In D Major): 4. Sarabanda by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard GoebelMensa sonora / PARS I (In D Major): 4. SarabandaHeinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard GoebelD♭ Major03B144 BPM
28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 6 (Recomposed by Luca Astolfoni Fossi) by Johann Joachim Quantz, Claudio Ferrarini28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 6 (Recomposed by Luca Astolfoni Fossi)Johann Joachim Quantz, Claudio FerrariniG Major29B86 BPM
Passagallo No 3 - Remastered by Giovanni Battista Vitali, Accademia FarnesePassagallo No 3 - RemasteredGiovanni Battista Vitali, Accademia FarneseE♭ Major25B181 BPM
Sonate e Partite: No. 46, Presto by Francesco Lecce, Claudio FerrariniSonate e Partite: No. 46, PrestoFrancesco Lecce, Claudio FerrariniC Major28B67 BPM
Mensa sonora / PARS III (In A Minor): 2. Sarabanda by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard GoebelMensa sonora / PARS III (In A Minor): 2. SarabandaHeinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard GoebelA♭ Minor11A173 BPM
ISRC
ITZ391271625
レコードレーベル
L-M Records/RCA Records