Antonio Caldara, Claudio Ferrarini, Accademia Farnese's 'Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo' came out on April 15, 2022. With Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 51 in Antonio Caldara: 12 Sinfonie a quattro su Azione sacra by Antonio Caldara, Claudio Ferrarini, Accademia Farnese. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo by Antonio Caldara, Claudio Ferrarini, Accademia Farnese is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - Corrente | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 79 BPM | ||
Sonate e Partite: No. 27, Allegro | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Sonata No. 9 in G Major: IV. Presto | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 82 BPM | ||
Concerto in E Minor for strings and basso continuo, RV 134: Concerto in E Minor for strings and basso continuo, RV 134: II. Andante | Antonio Vivaldi, Xenia Löffler, Akademie für Alte Musik Berlin, Georg Kallweit | E♭ Minor | 0 | 2A | 92 BPM | ||
Mensa sonora / PARS I (In D Major): 4. Sarabanda | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 0 | 3B | 144 BPM | ||
28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 6 (Recomposed by Luca Astolfoni Fossi) | Johann Joachim Quantz, Claudio Ferrarini | G Major | 2 | 9B | 86 BPM | ||
Passagallo No 3 - Remastered | Giovanni Battista Vitali, Accademia Farnese | E♭ Major | 2 | 5B | 181 BPM | ||
Sonate e Partite: No. 46, Presto | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Mensa sonora / PARS III (In A Minor): 2. Sarabanda | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 173 BPM |