"Mensa sonora / PARS III (In A Minor): 2. Sarabanda" by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1988. The duration of Mensa sonora / PARS III (In A Minor): 2. Sarabanda is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Mensa sonora / PARS III (In A Minor): 2. Sarabanda's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Mensa sonora / PARS III (In A Minor): 2. Sarabanda is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mensa sonora / PARS III (In A Minor): 2. Sarabanda by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Vivace (lively and fast), since this song has a tempo of 173 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": IV. Grave | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | D Major | 1 | 10B | 134 BPM | ||
Trumpet Sonata in D Major: IV. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 4 | 3B | 185 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Triumphe de L'Amour (1681): Entrée d'Apollon | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 114 BPM | ||
Sonata in D Major, Op. 6, No. 7: III. Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | D♭ Major | 1 | 3B | 115 BPM | ||
Membra Jesu nostri, BuxWV 75: Sonata | Dietrich Buxtehude, Aki Yanagisawa, Midori Suzuki, Yoshikazu Mera, Makoto Sakurada, Yoshitaka Ogasawara, Yoshie Hida, Yuko Anazawa, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 78 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Triumphe de L'Amour (1681): Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 174 BPM |