Johann Sebastian Bach, Wolfgang Schulz, Stuttgart Chamber Orchestra, Karl Münchinger made "Suite No. 2 in B minor, BWV 1067: 3. Sarabande" available on January 1, 1986. The duration of Suite No. 2 in B minor, BWV 1067: 3. Sarabande is about 3 minutes long, at 3:26. Based on our data, "Suite No. 2 in B minor, BWV 1067: 3. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Stuttgart Chamber Orchestra, Karl Münchinger's "J.S. Bach: Orchestral Suites Nos. 1-4" album is number 10 out of 24. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Suite No. 2 in B minor, BWV 1067: 3. Sarabande is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Suite No. 2 in B minor, BWV 1067: 3. Sarabande by Johann Sebastian Bach, Wolfgang Schulz, Stuttgart Chamber Orchestra, Karl Münchinger to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Oboe Concerto in B-Flat Major, HWV 301: III. Siciliana | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 83 BPM | ||
Viola Concerto in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 2 | 9B | 114 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 4. Largo | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 0 | 10A | 89 BPM | ||
Cello Sonata No. 6 in A Major, G. 4*: III. Affettuoso | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 85 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: IV. Presto | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 5 | 6A | 107 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: 3. Allegro | Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 120 BPM |