"Verdi: Aida, Act 4: "A lui vivo, la tomba!" (Ramfis, Sacerdoti, Amneris)" by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra was released on 1974. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #20 out of 55 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Verdi: Aida, Act 4: "A lui vivo, la tomba!" (Ramfis, Sacerdoti, Amneris) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 4: "A lui vivo, la tomba!" (Ramfis, Sacerdoti, Amneris) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aida, Act 4: "A lui vivo, la tomba!" (Ramfis, Sacerdoti, Amneris) being at 90 テンポ, the half-time would be 45 テンポ with a double-time of 180 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maristella / Act 1: "Io conosco un giardino" | Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | F♯ Major | 3 | 2B | 172 BPM | ||
La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Dritan Luca, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 0 | 4A | 83 BPM | ||
Falstaff / Act II: Quand'ero paggio del Duca di Norfolk | Giuseppe Verdi, Bryn Terfel, Adrianne Pieczonka, Larissa Diadkova, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Mefistofele: Prologue - Preludio | Arrigo Boito, Riccardo Muti | E♭ Major | 1 | 5B | 84 BPM | ||
L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella"" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 85 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) | Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 0 | 6B | 74 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Quartetto. "Non ti fidar, o misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, William Schimell, Wiener Philharmoniker | B♭ Major | 1 | 6B | 89 BPM | ||
Mefistofele: Act II - Ridda e fuga infernale - Ah! Su! Riddiamo... | Arrigo Boito, Riccardo Muti | A Minor | 4 | 8A | 68 BPM | ||
Messa di Requiem, Dies irae: Recordare | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | F Major | 1 | 7B | 75 BPM | ||
Cavalleria Rusticana (1987 - Remaster): O Lola ch'hai di lattl la cammisa (Turiddu) | Pietro Mascagni, José Carreras, Riccardo Muti, Philharmonia Orchestra | F Minor | 0 | 4A | 96 BPM |