Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge made "L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella""" available on January 1, 1971. The duration of L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella"" is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella""'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 30 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge. L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella"" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella"" by Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo" | Gioachino Rossini, Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 0 | 9B | 102 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Ti voglio tanto bene | Ernesto de Curtis, Jonas Kaufmann, Asher Fisch | D Major | 2 | 10B | 87 BPM | ||
Carmen, WD 31 / Act 2: La fleur que tu m'avais jetée | Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | E♭ Major | 3 | 5B | 96 BPM | ||
La regata veneziana: 1. Anzoleta avanti la regata | Gioachino Rossini, Cecilia Bartoli, Charles Spencer | F Major | 2 | 7B | 119 BPM | ||
Girometta | Gabriele Sibella, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | F♯ Major | 3 | 2B | 108 BPM | ||
Rigoletto / Act 1: "Zitti, zitti...Soccorso, padre mio" | Giuseppe Verdi, Joan Sutherland, Sherrill Milnes, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 87 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM |