Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan's 'Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg"' came out on January 1, 1968. The duration of Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Das Rheingold by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #19 out of 44 tracks. The popularity of Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" by Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" being at 168 テンポ, the half-time would be 84 テンポ with a double-time of 336 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K.527: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 140 BPM | ||
Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | C Minor | 0 | 5A | 72 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Lohengrin, Act III: Wedding March - Arr. For Organ | Bertalan Hock, Richard Wagner | B♭ Major | 0 | 6B | 133 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | F Major | 2 | 7B | 135 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM |