"Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae" by Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache was released on May 27, 2020. The duration of Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 8 in Berlioz: Symphonie fantastique, H.48, Op. 14 by Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache. Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae by Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 4 | 4A | 78 BPM | ||
Symphony No. 41 in C Major, K. 551 'Jupiter': IV. Molto Allegro | Wolfgang Amadeus Mozart, Budapest Festival Orchestra, Iván Fischer | C Major | 3 | 8B | 138 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Sibelius : Karelia Suite Op.11 : I Intermezzo | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 73 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: "Da geht er hin, der aufgeblasene schlechte Kerl" | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F Major | 1 | 7B | 81 BPM | ||
The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente) | Sir Simon Rattle, City Of Birmingham Symphony Orchestra | G Minor | 2 | 6A | 88 BPM | ||
D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 151 BPM | ||
Symphony No. 3 in D Major, Op. 29 "Polish": IV. Allegro vivo | Pyotr Ilyich Tchaikovsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Minor | 0 | 10A | 74 BPM |