"Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik)" by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado was released on January 1, 1985. Since Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado's "Mendelssohn: Overtures" album is number 4 out of 7. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik) by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octet in E Flat Major, Op. 20, MWV R20: III. Scherzo (Allegro leggierissimo) | Felix Mendelssohn, Emerson String Quartet | G Minor | 1 | 6A | 151 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 2. Gagliarda | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 93 BPM | ||
Hungarian Dance No.8 In A Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 151 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix I: Pas de deux | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 1 | 10B | 153 BPM | ||
Symphony No. 2, "A London Symphony": I. Lento - Allegro risoluto | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 70 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Masquerade - Ballet Suite: 3. Mazurka | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 3 | 4B | 94 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM |