Aram Khachaturian, London Symphony Orchestra, Stanley Black's 'Masquerade - Ballet Suite: 3. Mazurka' came out on January 1, 1989. The duration of Masquerade - Ballet Suite: 3. Mazurka is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Masquerade - Ballet Suite: 3. Mazurka's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Aram Khachaturian, London Symphony Orchestra, Stanley Black's "Khachaturian: Spartacus/Gayaneh/Masquerade" album is number 6 out of 13. In terms of popularity, Masquerade - Ballet Suite: 3. Mazurka is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Masquerade - Ballet Suite: 3. Mazurka by Aram Khachaturian, London Symphony Orchestra, Stanley Black to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Suite No. 3 from the Ballet "Gayaneh": VII. 7. Carpet Making (Teppichweberei) | Aram Khachaturian, Robert Schumann Philharmonie, Frank Beermann | E♭ Major | 1 | 5B | 172 BPM | ||
Sonata for Violin and Guitar in D Major, Op. 2, No. 5, MS 26: Allegro spiritoso | Niccolò Paganini, Scott St. John, Simon Wynberg | D Major | 1 | 10B | 86 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Symphony No. 3: III. 3. Doppio piu mosso | Aram Khachaturian, Robert Schumann Philharmonie, Frank Beermann | F Major | 0 | 7B | 65 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |