Claudio Monteverdi, René Jacobs, Concerto Vocale's 'L'Orfeo, SV 318, Prologo: Toccata' came out on 1985. With L'Orfeo, SV 318, Prologo: Toccata being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, René Jacobs, Concerto Vocale's "Monteverdi: L'Orfeo" album is number 1 out of 32. On top of that, France appears to be the country where this track was created. In terms of popularity, L'Orfeo, SV 318, Prologo: Toccata is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Orfeo, SV 318, Prologo: Toccata by Claudio Monteverdi, René Jacobs, Concerto Vocale to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM | ||
Madrigals, Book 9: O mio bene, SV 178 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Falco van Loon, Joao Moreiro, Bas Ramselaar | G Major | 1 | 9B | 198 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM | ||
Monteverdi: Madrigals, Book 8: Vago augelletto che cantado vai, SV 156 | Claudio Monteverdi, Christina Pluhar, Zsuzsanna Toth, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes | B Minor | 1 | 10A | 78 BPM | ||
L'Orfeo - Act 1: Lasciate i monti | Claudio Monteverdi, New London Consort, Philip Pickett | G Major | 2 | 9B | 113 BPM | ||
Sestina (Lagrime D'Amante Al Sepolcro Dell'Amata): III. Dara la notte il sol | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 1 | 8A | 81 BPM | ||
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
Vespro della Beata Vergine, SV 206: II. Psalm "Dixit Dominus" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 0 | 7A | 65 BPM |