"Strozzi: Arie, Op. 8 No. 6: "Che si può fare"" by Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro was released on January 4, 2019. Since Strozzi: Arie, Op. 8 No. 6: "Che si può fare" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Strozzi: Voglio cantar". In this album, this song's track order is #1. Strozzi: Arie, Op. 8 No. 6: "Che si può fare" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strozzi: Arie, Op. 8 No. 6: "Che si può fare" by Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prima gagliarda | Giovanni de Macque, Francesco Corti | D Minor | 4 | 7A | 148 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Vier letzte Lieder, TrV 296: IV. Im Abendrot | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 100 BPM | ||
Vinci: Catone in Utica, Act 1: "Si sgomenti alle sue pene" (Catone) | Leonardo Vinci, Michael Spyres, Il Pomo D'oro, Francesco Corti | B Major | 2 | 1B | 101 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
Cocchi: Adelaide, Act 2: "Timida pastorella" (Adelaide) | Gioacchino Cocchi, Bruno de Sá, Francesco Corti, Il Pomo D'oro | G Major | 0 | 9B | 95 BPM | ||
Recorder Sonata in F Minor, TWV 41:1: II. Allegro | Georg Philipp Telemann, Erik Bosgraaf, Francesco Corti | E Minor | 2 | 9A | 133 BPM | ||
Rameau: "Feuillages verts naissez" | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | A♭ Major | 0 | 4B | 81 BPM | ||
Requiem, Introitus: Requiem æternam | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Schola Gregoriana Ghislieri, Renato Cadel | E♭ Major | 0 | 5B | 114 BPM | ||
The First Booke of Songes: No. 9, Go crystall teares | John Dowland, Andreas Scholl, Concerto di Viole, Julian Behr | A♭ Minor | 1 | 1A | 106 BPM |