"Requiem, Introitus: Requiem æternam" by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Schola Gregoriana Ghislieri, Renato Cadel had its release date on September 11, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Niccolò Jommelli, Various Artists's "Jommelli: Requiem" album is number 2 out of 27. In terms of popularity, Requiem, Introitus: Requiem æternam is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, Introitus: Requiem æternam by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Schola Gregoriana Ghislieri, Renato Cadel to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244, Pt. 1: Part I: Kommt, ihr Töchter, helft mir klagen (Chorus) | Johann Sebastian Bach, Trinity Boys Choir, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | G Minor | 4 | 6A | 88 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 59 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
Mass in B Minor, BWV 232: Kyrie. Christe eleison (Soprano I and II) | Johann Sebastian Bach, Carolyn Sampson, Rachel Nicholls, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 1 | 3B | 145 BPM | ||
Messa in Re Maggiore, P. 46: II. Gloria in excelsis Deo | Giovanni Battista Pergolesi, Giulio Prandi, Coro e Orchestra Ghislieri | D♭ Major | 2 | 3B | 108 BPM |