Franz Joseph Haydn, Alban Berg Quartett made "Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (e) Variation IV" available on January 9, 1996. With Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (e) Variation IV being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, Alban Berg Quartett's "Haydn - String Quartets, Op 76 Nos 2-4" album is number 10 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (e) Variation IV is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (e) Variation IV by Franz Joseph Haydn, Alban Berg Quartett to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Cello in A minor, Op. 102: 2. Andante | Johannes Brahms, Anne-Sophie Mutter, Antonio Meneses, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 114 BPM | ||
Keyboard Trio No. 27 in C Major, Hob.XV:27: III. Finale: Presto | Franz Joseph Haydn, Kungsbacka Piano Trio | C Major | 1 | 8B | 80 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": II. Cantabile | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 0 | 10B | 108 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": IV. Presto | Franz Schubert | D♭ Major | 0 | 3B | 63 BPM | ||
Keyboard Sonata No. 60 in C Major, Hob.XVI:50: I. Allegro | Joseph Haydn, Jenő Jandó | C Major | 1 | 8B | 121 BPM | ||
Quintet No.1 for Guitar and Strings in D minor G.445: 4. Finale (Allegro assai | Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields | C Major | 1 | 8B | 118 BPM | ||
Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM |