Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields's 'Quintet No.1 for Guitar and Strings in D minor G.445: 4. Finale (Allegro assai' came out on January 1, 1993. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 30 in Boccherini: The Guitar Quintets by Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Quintet No.1 for Guitar and Strings in D minor G.445: 4. Finale (Allegro assai is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Quintet No.1 for Guitar and Strings in D minor G.445: 4. Finale (Allegro assai by Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 5 in F Major, J. 103: I. Theme from the opera Silvana | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 0 | 11B | 69 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 93 BPM | ||
50 Variations on a Theme by Diabelli (Vaterländischer Künstlerverein) [Excerpts]: Var. 16 | Johann Nepomuk Hummel, Elena Gaponenko | F Major | 1 | 7B | 169 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: I. Allegro | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | G Minor | 1 | 6A | 80 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 2 | 9B | 142 BPM | ||
Handel: Arianna in Creta, HWV 32: Overture | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
Der Einsame, D.800 | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 172 BPM | ||
Schubert: Rosamunde, Op. 26, D. 797: Entr'acte III | Franz Schubert, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM |