"50 Variations on a Theme by Diabelli (Vaterländischer Künstlerverein) [Excerpts]: Var. 16" by Johann Nepomuk Hummel, Elena Gaponenko was released on June 14, 2019. With 50 Variations on a Theme by Diabelli (Vaterländischer Künstlerverein) [Excerpts]: Var. 16 being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Elena Gaponenko's "Hommage à Vienne" album is number 9 out of 20. On top of that, Germany appears to be the country where this track was created. The popularity of 50 Variations on a Theme by Diabelli (Vaterländischer Künstlerverein) [Excerpts]: Var. 16 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 50 Variations on a Theme by Diabelli (Vaterländischer Künstlerverein) [Excerpts]: Var. 16 by Johann Nepomuk Hummel, Elena Gaponenko to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra, Op. 88a: III. Adagio ma non troppo | Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | B Major | 2 | 1B | 66 BPM | ||
Fantasia in C Major, Hob. XVII: 4 | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 2 | 8B | 134 BPM | ||
Sonata in G Major, L 349 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
12 German Dances, D790: No.6 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Sonata in B-Flat Major, Fk. 9: I. Un poco allegro | Wilhelm Friedemann Bach, See Siang Wong | B♭ Major | 1 | 6B | 179 BPM | ||
Piano Sonata In F Minor, P. 16: II. Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Major | 0 | 4B | 132 BPM | ||
String Quartet No. 2 in D Minor: III. Allegro non piu moderato, ma agitato - E con fuoco | Bedřich Smetana, Moyzes Quartet | C Major | 1 | 8B | 170 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 7 Eroica (Allegro) | Franz Liszt, Daniil Trifonov | F♯ Major | 2 | 2B | 97 BPM | ||
Grieg: Cello Sonata in A Minor, Op. 36: II. Andante molto tranquillo | Edvard Grieg, Truls Mørk, Håvard Gimse | A♭ Minor | 1 | 1A | 173 BPM | ||
Clarinet Concerto No. 2 in E flat major Op.74: I: Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | A Minor | 0 | 8A | 176 BPM |