Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans's 'Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: I. Allegro' came out on March 27, 2003. Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: I. Allegro is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Jean-Guihen Queyras, Freiburger Barockorchester, Petra Mullejans's "Haydn: Cello Concertos" album is number 7 out of 9. Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: I. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: I. Allegro by Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Calotines (19e ordre) | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 112 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Suite No. 1 in G Major BWV 1007.: III. Courante | Johann Sebastian Bach, Jean-Guihen Queyras | G Major | 2 | 9B | 119 BPM | ||
Suite for 2 Violins & Piano, Op. 71: III. Lento assai | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | E Minor | 1 | 9A | 103 BPM | ||
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Piano Trio No. 3 in C Minor, Op. 101: Presto non assai | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | F Minor | 0 | 4A | 84 BPM | ||
Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | C Minor | 1 | 5A | 95 BPM |